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When it comes to drug use, Hong Kong is one of the strictest racing jurisdictions in the world. No medications are allowed. Period. And some drugs -- Lasix, for example -- can't even be used in training. At the same time, Hong Kong is among the most transparent jurisdictions regarding the physical condition of horses entered in races. The Hong Kong Jockey Club's web site has a link to complete veterinary information for every horse entered in every race, and in far more detail than is available to US bettors. For example, a look at Sunday's upcoming card at Sha Tin shows reports on which horses showed up lame after a race, which had fevers, which showed mucus or traces of blood in the trachea, which ones had fractured bones, which ones had suspensory injuries, and much more. I'm not sure whether all that information would actually help a bettor, though I find it valuable in explaining layoff lines, but it can't hurt. Hong Kong, of course, has many inherent advantag

The beer garden at Happy Valley Critics, consultants and industry insiders in US horse racing agonize over how to make race-going a fan-friendly, exciting experience, one that newcomers will enjoy and want to repeat. In Hong Kong, they've figured out how to do that. True, the circumstances are different, and Hong Kong racing doesn't face the kind of competition from other spectator sports and gambling options that tracks in the US face, but, nonetheless, perhaps there's something to be learned from looking at how it's done elsewhere. This is the second of three reports based on several visits to each of the Hong Kong race tracks. Yesterday's dealt with the economics of Hong Kong racing. Tomorrow's will deal with care of horses, medication rules, and equine retirement. Happy Valley The urban racetrack is an unprepossessing species in America. Aqueduct, Hawthorne, Pimlico. Blighted neighborhoods, wind whistling through near-empty stands, a few thousand patrons wh

Sha Tin Racecourse on a busy day Through a combination of fortuitous circumstances, my wife and I are lucky enough to be spending a month in Hong Kong, visiting our daughter, who works here, grading our law school exams far from the pleas of worried students, and, not so incidentally, checking out the Hong Kong racing scene. Thanks to the kindness of Hong Kong Jockey Club Executive Director of Racing Bill Nader, formerly chief operating officer of NYRA, and Bill's assistant, Anny Kwan, we've enjoyed the best accommodations that Sha Tin and Happy Valley race courses have to offer, and we've also just wandered around in the grandstand at each track, absorbing the ambiance of being a regular racing fan. So, for those who haven't had the chance to see Hong Kong racing in person, here are three blog postings on our experience, and how the Hong Kong scene compares with American racing. Today's post covers the economics of racing in Hong Kong; subsequent posts will deal w

This Wednesday, we welcome back one of our most beloved and most frequent visitors, Nato Green, along with two brand-new guests! Nato Green is the creator of Iron Comic, the co-founder of Laughter Against the Machine, a prolific HuffPo blogger, and a Jew who cures his own bacon. He's such a regular friend to the show that he's earned the coveted moniker of "The Fifth Businessman," a title previously shared by Stu Sutcliffe and Brian Epstein. We also welcome Sammy Obeid, a UC Berkeley graduate and nationally-touring comedian who was the first comedian to ever appear on the Food Network telling jokes. He placed third in the SF International Comedy Competition and won Best of the Fest at both the Arab-American Comedy Festival and the Out Of Bounds Festival in Austin. Though Sammy does five sets a night, every night, this is somehow his first visit to The Business. It's long overdue, but we are glad to have him.   Finally, all the way from the City of

Who's gonna be at the Dark Room Wednesday? Miles K! Miles QUE?!? Who's a witty comic comin' up in the Bay? Miles K! Miles QUE?!? Who's website is http:// cleverthingstosay.com/ Miles K! Miles QUE?!? Miles K. Stenehjem, that's que! To quote East Bay artist Kaitlin McSweeny: "Miles K. Stenehjem is an elegant satirist with a wit born of sensitive desperation and fearless experience, in my opinion a sort of Oscar Wilde of this time, if Oscar Wilde could lay down some pretty sweet freestyle rhymes and deliver stand-up performances that make even today's recession-depressed audiences gasp and guffaw." Miles has also recently opened for Andy Kindler, has a show of his own called "Everything Jamboree" and now joins us on our humble show. Sean is taking a well deserved victory lap around Los Angeles this week, but Chris, Bucky and the newly returned Alex will be on hand to stoke your hot comedy giggly-fire. As always we

I was recently reviewing the effectiveness of media ownership policies and regulations and was struck by the limited success they have achieved during the past 50 years in Western nations. There seem to be two central problems with ownership regulation efforts: ownership really is not the issue that we are trying to address through policy and we have convoluted views of ownership. Media ownership is not really what concerns us, but is a proxy of other concerns. What we are really worried about is interference with democratic processes, manipulation of the flow of news and information, powerful interests controlling public conversation, exclusion of voices from public debate, and the use of market power to mistreat consumers. It is thus the behavior of some of those who own media rather than the ownership form or extent of ownership that really concerns us. This is compounded because media practitioners, scholars, and social critics have highly convoluted views about ownership and mos